Eduard Hanslick on Musical Beauty. The debate over the capacity of music to express non-musical ideas—which raged in the later nineteenth century between . Eduard Hanslick’s On the Musically Beautiful (Vom Musikalisch-Schönen, ) , written and published before the author turned 30, is a. On The Musically Beautiful has 77 ratings and 11 reviews. “Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the.

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Trivia About Beautifu, The Musically I see the experience of beauty in music as a rather idiosyncratic, individual issue. Each musical event involves composition plus reproduction [performance] and the latter is the vehicle for personal expression.

These situate Hanslick’s treatise in a broad philosophical and cultural context, elucidate his concepts with incisive clarity, and trace a fascinating history of the translation of the book. One the friends of Hanslick was, for some time, Wagner; but Hanslick revealed to be a conservative; Wagner was innovative: For example, fear, anxiety, alarm, terror are of course further thr of one and the same sort of feeling, but in part they are only quantitative intensifications, in part just forms not affecting Essays In Philosophical Aesthetics which also contains a response to Hanslick.

Open Preview See a Problem? Refresh and try again. He retired after writing his memoirs, but still wrote articles on the most important premieres of the day, up to his death in in Baden.

Tin Pan Opera Larry Hamberlin. Consider this version of the traditional assumption: Page 9 – If we take this away, all that remains is an unspecific stirring, perhaps the awareness of a general state of well-being or distress. Jun 18, David Withun rated it liked it Shelves: Take a look at this elucidating quote: But if the same music can combine with different texts to convey distinct emotions, then the music does not by itself convey a specific emotion. This translation is consistently faithful to the original, giving special care to terminological consistency, but without sacrificing the clarity and directness that distinguishes Hanslick’s text from so much other philosophical writing on music in his time and since.


By this we mean that the beautiful is not contingent upon nor in need of any subject introduced from without, but that it consists wholly of sounds artistically combined.

Hanslick instead contends that the emotional beautiul of music is entirely subjective and in fact often a product of cultural and societal conventions and associations built up over time. Hanslick was born in Prague then in the Austrian Empirethe son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of his piano pupils, the daughter of a Jewish merchant from Vienna.

Eduard HanslickGeoffrey Payzant No preview available – In he published his influential book On the Beautiful in Music.

In this respect, Hanslick’s essay is reactionary, an attempt to turn combat the tide of Romanticism, at least with respect to the art of music.

Science Logic and Mathematics. Hanslick was an outspoken opponent of the music of Liszt and Wagner, which broke down traditional musical forms as a means of communicating something extra-musical.

From Wikipedia, the muzically encyclopedia. Our opinion regarding the seat of the intellectual and emotional elements of a musical composition stands in the same relation to the popular way of thinking as the idea of immanence does to that of transcendence. Just a moment while we sign you in to your Goodreads account.

Eduard Hanslick

It reads like a philosophical approach. Vischer Franz Grillparzer German Gustav Cohen Hanslick’s book harmonic series harmony hearer ideal content ideas imagination impression instrumental music Johann Mattheson Kapellmeister Kunst Leipzig listener manifestations material means melody mental mind motion Mozart musical heautiful musical artwork musical elements musically beautiful musician Musik Musikalisch-Schonen Musikalische nature nerves opera Otto Jahn overture painting particular passions Payzant philosophical physiological piece of music poetical poetry principle produces purely purpose of music regard relationships represent representation reprint rhythm Richard Wagner Robert Zimmermann sensation sense sensuous sonata song sound specific feeling specifically musical spirit symphony theme theory thesis tion tonal system tones translation words.


Be the first to ask a question about On The Musically Beautiful. Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. Hanslick’s unpaid lectureship at mudically University of Vienna led in to a full professorship in history and aesthetic of music and later to a doctorate honoris causa. There are several theories about the best way to make the distinction between physical object and music Today we are more likely to say that the musical work is an intentional object.

Views Read Edit View history. How many works by Mozart were declared in his time to be the most passionate,ardent,and audacious within the reach of musical mood-painting.

Gracyk outline of Hanslick On the Musically Beautiful

To ask other readers questions about On The Musically Beautifulplease sign up. Beauty is discovered by contemplation in imagination, shaped by “active understanding, i.

Musical works as imaginary objects: Hackett Publishing Company He identifies two modes of listening: However, while reading the book, I often got the impression that he is not quite as beautifu, of a hardliner about his thesis as he wants to appear.

Freddy rated it it was amazing Mar 23, I tend to agree with most of what he asserts.