The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude . The compositions of Nikolai Kapustin (born ) are almost all for piano, either solo or 1 “Sonata-Fantasy” for piano (); Op. Eight Concert Etudes for piano (). No. 1 in C major “Prelude”; No. 2 in A-flat major “Reverie”; No. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. 40 () andFive Etudes in Different Intervals, op. 68 (). These two.

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June Total duration: Suite In the Old Style for piano Op. The compositions of Nikolai Kapustin born are almost all for pianoeither solo or accompanied.

Nikolai KAPUSTIN – A Performer’s Perspective By Leslie De’Ath – Jun MusicWeb(UK)

Search Enter search terms: Sonata for cello and piano No. Theme and Variations for piano Op. Intermezzo for piano and orchestra Op.


Day-Break “Sunrise” for orchestra Op. This analysis is a limited, and by no means exhaustive survey of Kapustin’s etudes for piano.

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These two sets of etudes, representative of Kapustin’s unique style, will be examined as a novel, and hopefully accessible, addition to the pianist’s etude repertoire. Sonata for viola and piano Op. Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been previously characteristic of the genre. A Little Duo for flute and cello Op.

The recording is characteristic of Hyperion’s piano sound at its considerable best. Paraphrase on Dizzy Gillespie’s “Manteca” for two pianos, four hands Op.

By using this site, you agree to the Terms of Use and Privacy Policy. Wandering for piano solo Op. Elegy for orchestra Op. Trio for flute, cello and piano Op. Sonatina for piano Op.

Fantasia for piano Op. Fantasia for jazz quartet Op. Minuet for big-band Op.


Piano Quintet Op. Paraphrase on the theme of Paul Dvoirin for piano Op.

Compositions by Nikolai Kapustin Lists of compositions by composer. All in all, one of the most enjoyable piano discs I have heard in ages. Nearly Waltz for cello and piano Op.

Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied.

Sonata for violin and piano Op. A Pianist in Jeopardy for piano solo Op. The purpose of this study is to facilitate further understanding of Kapustin’s works and his mature writing style, and to discuss how these etudes contribute to the existing piano etude repertoire, thus promoting their future accessibility and performance. Eight Concert Etudes, OP. Recommended with unquenchable enthusiasm! Sonata for flute and piano Op.