The Knightly Art of the Longsword. Front Cover · Hugh Knight. Title, The Knightly Art of the Longsword. Author, Hugh Knight. Publisher, Ringeck’s invaluable 15th-century compilation of the lessons of German fencing master Johannes Liechtenauer is given new life by two modern students of the. : Sigmund Ringeck’s Knightly Art of the Longsword ( ) by David Lindholm; Peter Svard and a great selection of similar New, Used.

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This is especially true in late 15th and early 16th century fencing manuals. The initiative is regained by aggressively striking the opponent’s weapon before a second attack is then launched at the opponent’s body.

Just a moment while we sign you in to your Goodreads account. Gabriel rated it really liked it Sep 11, Tobler’s first book, the research here is adt more up-to-date. Brandon Schraeder rated it liked it Jul 19, Refresh and try again. These are the lnightly and what carries his teachings.

Sigmund Ringeck’s Knightly Art of the Longsword

Ringeck offers clear and precise instructions in the actual handling of the sword and how to use it in order to win a fight. It may be to your kightly to lure the opponent to attack and then counter –though by this you still have the initiative. These again show useful techniques, but their real value is that they illustrate Medieval concepts of od and fighting with the body as the primary tool. However this does not mean that you must always move first, an important distinction.


Max rated it really liked it Nov 14, It contains no illustrations and is a handwritten document originally inscribed on loose sheets of paper.

The Knightly Art of the Longsword – Hugh Knight – Google Books

Aaron Jones rated it really liked it May 15, Return to Book Page. Not for any significant discoveries of his own, but as a transmitter and interpreter of the tradition of the grand old master Liechtenauer’s teachings.

The art of fencing is also divided into the “three wonders”: Nathan rated it liked it Nov 08, Open Preview See a Problem? Hardcoverpages.

But we must look back to the end of the 14th century and those who lived and fought therein in order to understand Medieval fighting skills. Want to Read saving…. These wrestling techniques are usually done from the bind, or by “running through” Durchlauffenthat is, stepping in if he comes in with his weapon lngsword or wide to the side.

Examples of these are the AbzetsenSprechfensterand Schrankhut to name but a few. It was an integrated system of kbightly, and Ringeck’s lucid teachings in everything from the basics to the finesse is essential in order for us to be able to gradually understand how they thought and what they taught. No use of the ARMA name and emblem, or website content, is permitted without authorization.

The original text is presented with extensive interpretations and detailed, instructive drawings to capture the medieval swordsman’s art. There are no discussion topics on this book yet.


And if we place Sigmund Ringeck’s text next to Jacob Sutor’s, almost years later inwe find many of the same names and techniques, some with only small changes. Genghiskeith rated it really liked it Sep 12, Lyle Kaser rated it it was amazing Jul 03, The manual is of great importance due to its clear and precise instruction on long sword, wrestling, sword and llongsword, armoured combat, and mounted combat.

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Lucien KA Crofts rated it liked it Dec 22, Ramsey Eden rated it liked it Jun 16, In longswordd longsword teachings Ringeck also included a lot of material on wrestling attacks. Granted, this book is a more or less direct translation of the original 15th century text, which had none of these things, but for my situation — practicing alone, the teachings of this book hhe really all that useful since I don’t have a partner to practice with.

This foundation becomes important when we look at later masters in the German tradition such as Joachim Meyer in the late 16th century. The art was not yet ‘sportified’ and the martial difference between Masters such as Ringeck and Meyer is distinct in spite of all their likeness.